Sabtu, 28 Februari 2015

[N488.Ebook] Ebook Screwed up somehow but not stupid, life with a learning disability, by Peter Flom

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Screwed up somehow but not stupid, life with a learning disability, by Peter Flom

When Peter Flom was five years old, his parents were told that he had “minimal brain dysfunction” and would never go to college. Peter skipped one year of high school, did college in three years, got his BA at twenty and now has two MAs and a Ph.D. He’s married and has two sons. He also has a different diagnosis: Nonverbal Learning Disability. In “Screwed Up Somehow but Not Stupid,” Peter describes what it’s like to live life with a learning disability, but also with some abilities.

  • Sales Rank: #654814 in Books
  • Published on: 2016-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .37" w x 5.51" l, .46 pounds
  • Binding: Paperback
  • 174 pages

About the Author
Peter Flom has nonverbal learning disabilities (NLD or NVLD). He was the first student at the Gateway School in New York City and has an MA in special education and a PhD in psychometrics. He has given talks about NLD at various organizations and is active on several sites about learning disabilities.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Outstanding
By Robert & Ellen Kaplan
Peter Flom writes: “It is so hard to explain our difficulties” — the difficulties of people with nonverbal learning disability — but he does so brilliantly and compellingly in Screwed Up Somehow but Not Stupid. And after a vivid description of his life and the problems faced by others like him, he gives a detailed panorama of ways to help. This is a terrific book: honest and optimistic, and propelled by hope and good will.

3 of 3 people found the following review helpful.
For every person who cares about a person with learning disabilities
By Sweetie Berry
Dr Flom has written poignantly about his experiences as a well-able person with learning disabilties. This is a must read for every parent, practitioner, and person who has ever worked with, existed as, or desires to support a person with learning disabilities.

2 of 2 people found the following review helpful.
NLD from the “horse’s mouth”
By Joseph Bock
After retiring at 63 years of age from a career as an Electronic Engineer I did some research on my lifelong weaknesses. I discovered I had a Nonverbal Learning Disability (NLD). Having NLD meant that although I was very good at challenging and creative tasks I couldn’t easily do things that most people take for granted like folding paper.

This book is written by Dr. Peter Flom who is also someone that has NLD. It is the author’s life experiences with NLD. I was amazed at how similar Dr. Flom’s NLD life is to mine. Reading this book expressed so much of what my life was and still is.

In addition to describing how NLD manifested itself in the author’s life the book also gives practical advice for someone with NLD and also for someone that has to deal with a person with NLD, like a parent, spouse or teacher etc. There are many books about NLD written by the likes of therapists and other “experts” but this book comes straight from the “horse’s mouth” so to speak.

The book deals with the whole lifespan from childhood, to school and into adulthood. The writing is very clear and is an easy and interesting read. I think it is the perfect book for anyone that really wants to understand NLD or just for a genuinely out of the ordinary read.

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Rabu, 25 Februari 2015

[G713.Ebook] Free PDF Asesinato En El Orient Express (Murder on the Orient Express) (Spanish Edition), by Agatha Christie

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Asesinato En El Orient Express (Murder on the Orient Express) (Spanish Edition), by Agatha Christie

Hercule Poirot Mysteries Series This is the story of one thrillingly exotic journey, one brutally stabbed victim, and seventeen suspicious suspects. Just after midnight, a snowdrift stops the Orient Express in its tracks. The luxurious train is full, but by the morning there is one less passenger. A man lies dead in his compartment, stabbed a dozen times, his door locked from the inside…Many obstacles are put in Poirot’s path to try and keep him off the scent but in a dramatic finale he succeeds in coming up with two solutions to the crime.

Description in Spanish: Estambul, pleno invierno. Poirot decide tomar el Orient Express que en esta época hace su recorrido prácticamente vacío. A la mañana siguiente, cuando se despierta, descubre que un norteamericano, llamado Ratcher, ha sido apuñalado. El asesino, sin duda, es alguno de los ocupantes entre los que se encuentran una altiva princesa rusa y una institutriz inglesa.

  • Sales Rank: #1542773 in Books
  • Published on: 1983
  • Original language: Spanish
  • Number of items: 1
  • Binding: Paperback
  • 254 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
Fantastic for those working to learn Spanish towards the intermediate level
By HombreViejo
The book was of adequate size to have margins large enough to write down the infinatives of verbs, nouns and ect, and inexpensive enough to be able to write in it without guilt.

Agatja Christie writes in short and straightforward sentences an interesting story that keeps you guessing.

The Spanish translation carries this simple style forward to the reader who wants to advance his/her ability to read in Spanish.

0 of 0 people found the following review helpful.
Five Stars
By nush
Excelent book, a classic that never goes out of style, it's timeless.

0 of 0 people found the following review helpful.
Novela de Agatha Chritie es suficiente decir
By Luis
Magistral como todas sus novelas lleva al lector a devorar la lectura tratando de establecer el resultado pero solo el ingenio de Agatha produce el inesperado final

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Selasa, 24 Februari 2015

[M993.Ebook] PDF Ebook Educational Economics: Where Do School Funds Go? (Urban Institute Press), by Marguerite Roza

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Educational Economics: Where Do School Funds Go? (Urban Institute Press), by Marguerite Roza

Educational Economics: Where Do School Funds Go? examines education finance from the school's vantage point, explaining how the varied funding streams can prevent schools from delivering academic services that mesh with their stated priorities. As government budgets shrink, linking expenditures to student outcomes will be imperative. Educational Economics offers concrete prescriptions for reform.

  • Sales Rank: #175867 in Books
  • Brand: Brand: Urban Institute Press
  • Published on: 2010-03-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.75" h x 5.75" w x .50" l, .45 pounds
  • Binding: Paperback
  • 128 pages
Features
  • Used Book in Good Condition

Review
This book describes all the problems of using taxpayer dollars wisely in paying for public education and offers some creative solutions. It is full of surprises and is written in blessedly clear, jargon-free English. You can't really understand how we can make schools better unless you read this book. --Jay Mathews, Washington Post education columnist and author of Work Hard. Be Nice. How Two Inspired Teachers Created the Most Promising Schools in America

This is one of the most important books ever written about public education in this country. It clearly documents how--unbeknownst to most policymakers and education administrators, not to mention the public--high-poverty schools get less than their fair share of education dollars (and certainly not extra funds to close achievement gaps). This, despite the progressive intentions embodied in policies, mission statements, and campaign promises intended to benefit our neediest students. Drawing on a decade's work pioneering new approaches to analyzing school-level finance data, Roza surfaces pervasive and systematic inequity in the way actual dollars are spent in public schools. She concludes by outlining design principles for a coherent system of education finance, one arguably more capable of furthering strategic goals or matching words to deeds. Educational Economics is crucial for those concerned about investment in and preparation of the future U.S. workforce in an increasingly competitive world. --Cynthia G. Brown, Vice President for Education Policy, Center for American Progress

A forceful analysis of why following the money in K-12 education generally leads to confusion, misalignments, and frustration. Roza lays out the problems and offers powerful ideas for improving the system. --Andrew J. Rotherham, Cofounder and Partner, Bellwether Education, and Author, Eduwonk.com

Review
This book describes all the problems of using taxpayer dollars wisely in paying for public education and offers some creative solutions. It is full of surprises and is written in blessedly clear, jargon-free English. You can't really understand how we can make schools better unless you read this book. ―Jay Mathews, Washington Post education columnist and author of Work Hard. Be Nice. How Two Inspired Teachers Created the Most Promising Schools in America

This is one of the most important books ever written about public education in this country. It clearly documents how―unbeknownst to most policymakers and education administrators, not to mention the public―high-poverty schools get less than their fair share of education dollars (and certainly not extra funds to close achievement gaps). This, despite the progressive intentions embodied in policies, mission statements, and campaign promises intended to benefit our neediest students. Drawing on a decade's work pioneering new approaches to analyzing school-level finance data, Roza surfaces pervasive and systematic inequity in the way actual dollars are spent in public schools. She concludes by outlining design principles for a coherent system of education finance, one arguably more capable of furthering strategic goals or matching words to deeds. Educational Economics is crucial for those concerned about investment in and preparation of the future U.S. workforce in an increasingly competitive world. ―Cynthia G. Brown, Vice President for Education Policy, Center for American Progress

A forceful analysis of why following the money in K-12 education generally leads to confusion, misalignments, and frustration. Roza lays out the problems and offers powerful ideas for improving the system. ―Andrew J. Rotherham, Cofounder and Partner, Bellwether Education, and Author, Eduwonk.com

About the Author
Marguerite Roza is a research associate professor at the University of Washington's College of Education and a senior scholar at the Center on Reinventing Public Education. For over a decade, her research has focused on education spending and productivity, digging deep into education spending records to follow resources as they are deployed across schools, classrooms, and students. Much of her work traces spending patterns back to the various policy decisions that prompted them. Her analyses of fiscal policies and their implications for resources at school and classroom levels have prompted changes in education finance policy at all levels in the education system. She has written more than 40 articles and monographs in a wide variety of publications. Currently she serves as a nonresident senior fellow at the Brookings Institution, at Education Sector, and at the Rockefeller Institute.

Marguerite Roza earned her Ph.D. in education from the University of Washington. Prior to that, she served as a lieutenant in the U.S. Navy, teaching thermodynamics at the Naval Nuclear Power School. She has a B.S. from Duke University and has studied at the London School of Economics and the University of Amsterdam.

Most helpful customer reviews

0 of 0 people found the following review helpful.
schools are often restricted from deciding how to best meet student needs because of incoherent strategies and inefficient ...
By Kate Johnson
In Roza’s quick 126-page read, she focuses on school finance from the vantage point of the school itself. She discusses many well-intentioned top-down policies designed to equalize financial allocations through her work with the Center on Reinventing Public Education’s analysis of large school districts across the country. Roza found, through qualitative analysis, that when many equalization policy efforts actually reach the district level, most do virtually nothing to address the inequities within districts at the school level. Throughout this book, Roza makes the arguement that the school finance system should not be uniform design, but rather a system that accepts different decisions about how to apply resources in ways that use resource allocations to ensure student achievement.

Roza focuses much of her school finance analysis around issues concerning intradistrict spending. One of the largest problems found through her analysis is that at the district level there is not a reliable accounting system set up to help inform resource allocation decisions. In fact, Roza found that districts rarely document what they spend on each school much less compare spending between schools within the district. Due to the fragmentation of funding, schools are often restricted from deciding how to best meet student needs because of incoherent strategies and inefficient funds from the district. Roza argues that school spending comparisons should be used to help inform district decisions about how to design, organize, and place resources within schools and then let school level leader decide how resource decisions are to be made at the school level, instead at the district level.

Roza took an interesting turn in her book when she spent a chapter discussing nonmonetary value within a school. She echoed similar ideas of Eric Hanushek making a point of stating that dollars cannot indicate the value of resources across schools, but rather adding more value by actually creating effective schools through other inputs such as data-driven instruction, strong school-level leadership, dedicated and effective teachers, and clear high expectations and school-wide improvement goals. Schools with lower-poverty are able to spend more money on highly effective teachers, and highly effective teachers are more likely to teach in more affluent school communities. Roza suggests that there should be a focus around how to link dollars to these nonmonetary resources so they are then strategically allocated across schools and systems.

As an educator, I found this book to be easily relatable to many everyday issues faced within schools; however, as stated in the second half of the title, the question of “Where Do School Funds Go?” still lingers.

0 of 0 people found the following review helpful.
Federal, state, and local funding streams collide at the school district level
By Kelly McDowell
Educational Economics: Where Do School Funds Go?
By Marguerite Roza
Urban Institute Press, 2010, $26.50; 128 pages

Educational researchers aligned with the efficiency movement, including Stanford researcher Eric A. Hanushek, have argued that commonly purchased inputs to schools (class size, teacher experience, and teacher education) bear little systematic relationship to student outcomes. Marguerite Roza in "Educational Economics: Where Do School Funds Go?", contributes to that body of research by making the case that educational resources are not efficiently delivering results because they are not "strategically" aligned with academic priorities at the school level.

Roza builds her case on the results of the work of a team of researchers at the Center on Reinventing Public Education (CPRE) at the University of Washington who spent a decade uncovering spending patterns in schools across the country. Before joining the Gates Foundation in May 2010 to advise on their education work, Roza was a professor and senior scholar at CPRE.

While traditional school finance research tracks how the government distributes funds among school districts, Roza's book seeks to explain education finance from the school vantage point explaining how federal, state, and local funding streams collide at the district level. A key point examined by Roza is that federal and state categoricals have grown in number and amount, yet their effectiveness can be thwarted by local agendas and political forces. For example, the federal Title 1 subsidy is intended to reduce the achievement gap for economically disadvantaged students, yet where significant inequities exist in the state and local base funding, the highest poverty students continue to receive disproportionately less support. As Roza explains, "the forces that reverse the effect of federal allocations work in the same way to distort state allocations." Those forces include influential school board members, parents, teachers, voters and labor unions. The union-backed uniform salary schedule with its emphasis on longevity is a significant factor in the misallocation of resources since, as Roza writes, "the relevant research suggests very little if any relationship between longevity and student performance."

Another key focus is that educational resources are misaligned with academic priorities because districts lack robust accounting systems that provide detailed school-level financial data. Roza cites numerous examples of bad information leading to "mistaken assumptions and ultimately misguided strategic resource decisions." One major issue is the common practice of using the average district salary for each position which inflates or deflates actual spending at the school level. Also essential to efficiency is an accountability function where "those doling out the funds, defining the standards, and imposing accountability can't be the ones making decisions about resource use." Giving building leaders more decision-making authority, Roza says, "will likely result in more efficient, effective, and possibly innovative use of resources," -- assuming, that is, that they are also able to more effectively manage local political forces and influences.

Roza's book exposes shortcomings of current education finance systems and offers solutions for a comprehensive restructuring that positions school leaders to allocate funds for maximum student benefit. As education policy leaders look for ways to increase school-based efficiency and accountability, "Where Do School Funds Go?" provides an important roadmap that allows us to consider where we are and ultimately where we need to go.

0 of 0 people found the following review helpful.
Good Starting Point
By In the xone
Educational Economics is a very good introductory book into the world of school finance. Marguerite Roza presents the information in an easy to understand format that is accessible to readers without background on the topic. Odden and Picus are exception in their breadth and detail, but Roza offers us a more concise and condensed version of similar information from similar sources.
One area Roza explores greatly is the differences in spending between schools even within the same district. Where and why this occurs is of great importance. So many funds and programs are earmarked to be used in schools with high levels of poverty in an effort to help these students. Even though federal money is sent to these schools, there is still a large disparity between schools with high poverty and schools without. Why does this occur? Roza points out that in most school districts the veteran teachers tend to work in the schools with higher socio economics, while more novice teachers are in the schools with high poverty. If this holds true, more money is spent in the higher socio economic school because, if the traditional salary schedule is used, there is more salary in the higher socio economic schools than in schools with higher poverty and a more novice teaching staff. This is an unintended occurrence, but one that is very prevalent nonetheless.
Another area that Roza focuses on is what types of numbers are usually reported. Actual average salary of a school is rarely, if ever, utilized. A school district average is often used for each school in a district. While unintentional, this misleads an individual looking at the data that all schools in a district have the same average salary, while in reality they do not. This is an area, among others brought up by Roza, where the data could be reported in a better way to give a clearer picture of the school.
More generally speaking, Roza attempts to break down the layers of school funding and where they can come from. She points out many of the holes and redundancies that are occurring as well. Roza wraps up her book with recommendations and seven design elements for achieving the desired attributes in a school finance system. Some of these design elements are already taking place in most school districts, while others are more difficult to implement. One hot button issue that she recommends is that students should be able to go to different “providers” (voucher schools).
Overall, Roza has put together a school finance book that is not intimidating like many out there. For a good basic understanding of the current system, this is a great place to start.

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Senin, 23 Februari 2015

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Icons of Power investigates why the image of the cat has been such a potent symbol in the art, religion and mythology of indigenous American cultures for three thousand years.
The jaguar and the puma epitomize ideas of sacrifice, cannibalism, war, and status in a startling array of graphic and enduring images. Natural and supernatural felines inhabit a shape-shifting world of sorcery and spiritual power, revealing the shamanic nature of Amerindian world views. This pioneering collection offers a unique pan-American assessment of the feline icon through the diversity of cultural interpretations, but also striking parallels in its associations with hunters, warriors, kingship, fertility, and the sacred nature of political power. Evidence is drawn from the pre-Columbian Aztec and Maya of Mexico, Peruvian, and Panamanian civilizations, through recent pueblo and Iroquois cultures of North America, to current Amazonian and Andean societies.
This well-illustrated volume is essential reading for all who are interested in the symbolic construction of animal icons, their variable meanings, and their place in a natural world conceived through the lens of culture. The cross-disciplinary approach embraces archaeology, anthropology, and art history.

  • Sales Rank: #608895 in Books
  • Published on: 2012-06-22
  • Released on: 2012-06-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.69" h x .71" w x 8.26" l, 1.14 pounds
  • Binding: Paperback
  • 312 pages

Review
'This symposium, illustrated with numerous impressive pots and icons, furnishes a fascinating prehistory of man's relationship with the haughty beauties.' - The Guardian, February 1998.

...a fascinating pre-history of man's relationship with the haughty beauties. - The Guardian

About the Author
Nicholas J. Saunders has held research fellowship and teaching positions in Mexico, the USA, Trinidad, Jamaica and the United Kingdom. He is currently a Visiting Fellow in the archaeology department at Southampton University.

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1 of 1 people found the following review helpful.
Excellent treatment
By Tarnado
In this book the author treats the symbolism of feline prowess in america espcially well. One of the most intriguing aspects of this work is how the author juxtaposes the feline symbolism with that of other religious and cultural imagery. Highly recommendable.

0 of 1 people found the following review helpful.
Five Stars
By Ariel Valerie
Great material

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Minggu, 22 Februari 2015

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Text in English, French, and German

  • Sales Rank: #63903 in Books
  • Published on: 2016-03-05
  • Original language: English, French, German
  • Number of items: 1
  • Dimensions: 8.10" h x 1.50" w x 8.10" l, .92 pounds
  • Binding: Hardcover
  • 480 pages

About the Author
Dian Hanson produced a variety of men’s magazines from 1976 to 2001, including Juggs, Outlaw Biker and Leg Show, before becoming TASCHEN’s Sexy Book editor. Her 60+ books for TASCHEN include The Art of Pin-up and Psychedelic Sex. She lives in Los Angeles.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Wrong language?!?
By Amazon Customer
I'm not sure why but my copy had about 2/5 of it in German, wtf

0 of 0 people found the following review helpful.
..... definitely a "late night ...
By RJ
.....definitely a "late night dinner crowd" coffee table book. Guest don't get brave enough to pick up and/or comment on until after a round of after dinner drinks.....then the real commentary comes to light and discussion. Sure to be an attention getter for one's more enlightened dinner guest.

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Sabtu, 21 Februari 2015

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  • Sales Rank: #6571736 in Books
  • Published on: 1996
  • Binding: Hardcover

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Kamis, 19 Februari 2015

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Logical Pluralism, by J. C. Beall, Greg Restall

Consequence is at the heart of logic; an account of consequence, of what follows from what, offers a vital tool in the evaluation of arguments. Since philosophy itself proceeds by way of argument and inference, a clear view of what logical consequence amounts to is of central importance to the whole discipline. In this book JC Beall and Greg Restall present and defend what thay call logical pluralism, the view that there is more than one genuine deductive consequence relation, a position which has profound implications for many linguists as well as for philosophers. We should not search for one true logic, since there are many.

  • Sales Rank: #1591422 in Books
  • Published on: 2006-02-02
  • Released on: 2006-02-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.40" h x .50" w x 8.40" l, .46 pounds
  • Binding: Paperback
  • 152 pages

Review
Beall and Restall have produced a highly readable monograph whose important topic, clarity, directness of argument...first-rate discussion commends it to philsosophers' attention. Alexander Paseau, Mind Journal Logical Pluralism presents a challenge to the proponents of alternative logic, and even to classical logicians who find alternative logics interestingly mistaken. In a short book, the authors not only raise deep issues, they also provide neat thumbnail sketches of a range of logics...theirs is a challenge that must be met, and meeting it adequately is not easy. Every logician should read this book. Stephen Read, Notre Dame Philosophical Reviews

About the Author
JC Beall is at University of Connecticut. Greg Restall is at University of Melbourne.

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Rabu, 18 Februari 2015

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(Book). With clear and easy-to-understand exercises, The Piano Handbook is perfect for anyone interested in learning the piano or improving their skills. It provides fresh material and techniques in styles ranging from classical to jazz, rock, bebop and fusion, and gives new players everything they need to learn and enjoy the piano. This book's innovative tutorial approach covers classical and contemporary music styles in an integrated way, and the companion audio brings the playing techniques and concepts to life. A full-color photo gallery illustrates the history of the piano and its essential recordings. The book also includes access to audio downloads of selected examples and pieces. This hardcover, deluxe edition also features semi-concealed spiral binding so the book stays open on the piano. The Piano Handbook prepares you not just to play, but to perform and not just as a pianist, but as a complete musician.

  • Sales Rank: #42390 in Books
  • Brand: Brand: Backbeat Books 2003-02-01
  • Published on: 2002-12-01
  • Released on: 2002-12-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x 1.13" w x 9.25" l, 2.74 pounds
  • Binding: Spiral-bound
  • 290 pages
Features
  • Used Book in Good Condition

About the Author
Carl Humphries is a pianist, composer, and music journalist. He studied piano and composition in London, Turin, and Berlin, and has performed at some of the most prestigious classical and jazz venues in the UK. His workshops and lecture/recitals are in demand at music academies and university music departments throughout Europe and in the US.

Most helpful customer reviews

6 of 6 people found the following review helpful.
great - if you already know how to practice
By ejw2010
like others have stated, there's not a lot of ramp-up to this book. I'm self taught at the piano, but was a semi-professional musician on a different instrument, so I know how to learn music. I breezed through the first few exercises, then re-discovered exactly why I set this goal to "learn to play piano properly". There's no busy-work, each exercise teaches you at least two or three different skills, sometimes all at once, so if you don't know how to practice, how to pick apart music, how to slow it painfully down and do monotonous repetitions, frustration is in store. I like a little variety, and am moving slowly enough through this that I'm supplementing with Czerny 599 and maybe some Hamon so I have a few things to teach each skill, and I don't just pull my old trick of being a great mimic instead of learning (so making sure I can apply my new found skills to more than just the piece in this book that introduces them).

If you really want to learn to play piano, and know how to practice, this book will do it, but you'll likely be happier if you supplement it with some other studies, and work them in parallel. If this is your first crack at learning a musical instrument, this might not be the book for you unless you sort out how to practice (others here have described their methods, variations on the same theme), or get a teacher to help you sort it out.

A proper index of pieces would improve this book, as well as printing on paper that's easy to write in pencil on, but other than that, this book is actually really amazing. I'd recommend it highly, with the above cautions.

6 of 6 people found the following review helpful.
More than just a piano book, this is a ...
By Chris Hemphill
More than just a piano book, this is a book heavy on theory and improvisation and will teach you not only about tapping keys, but also about understanding music. I got this book three years ago, never having read sheet music or played anything other than chopsticks (poorly), and now I play live in a band.

If you set aside the time and deal with the frustration of learning a skill, this book will guide you into pulling off impressive feats and understanding music in a way that you never did before.

10 of 10 people found the following review helpful.
I'm pleased with this book and CD.
By A. Bellezza
This book offers a coherent system of learning the piano and music theory for those who prefer to self-teach. It's geared toward a more mature audience and presents in-depth explanations of most concepts. The book begins with a history of the piano, which I found interesting, but not useful for learning to play the piano. The author then gives the basics of classical theory, moving into jazz/rock/blues harmony and beyond.

I particularly like the fact that this book provides suggested fingerings for right AND left hand for nearly every scale and arpeggio beyond the single octave. Many sources I've encountered present one octave fingerings, and often times only for the right hand. Since I am already an accomplished bassist and guitar player, this helped me overcome my technical limitations to quickly play the material I already knew on fretted instruments.

The CD gives human performances of the exercises which help with understanding the dynamics of the written music. That is, how the pieces sound as actual music and not just a technical exercise.

This book features a hardcover and is spiral bound so the pages lay flat. It's sort of a nuisance when you close the book, but great for actually using the book on a music stand.

I didn't have any trouble with the European Vs. American terminology. Although, I do giggle when I read the word crotchet.

Crotchet. Lol.

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Kamis, 12 Februari 2015

[A522.Ebook] Download Ebook Evidence-Based Nursing: The Research-Practice Connection, by Sarah Jo Brown

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Evidence-Based Nursing: The Research-Practice Connection, by Sarah Jo Brown

Evidence-Based Nursing: The Research-Practice Connection, Third Edition introduces students to research methods and evidence-based practice (EBP). Written in an accessible style, the content moves readers through understanding how research is produced to appraisal at the critical thinking level. Timely information links evidence-based practice to recent work in the Safety and Quality programs that are underway in healthcare and nursing. Key Features: • Offers five common research designs, systematic reviews, and clinical practice guidelines by using a consistent, easy-to-read "Why-How-What" approach. • Exemplar research reports include “Profile and Commentary” that explain results of studies and help students better understand the methodological components of a study Accompanied by Instructor Resources: • Save time with a Test Bank and sample syllabus • Encourage critical thinking using additional learning activities, including discussion questions and small group assignments • Plan classroom lectures using PowerPoint Presentations created by the author Navigate eFolio Now Available! Navigate eFolio: Evidence-Based Nursing , a fully supported and hosted online learning solution featuring an ebook and course management tools is also available for purchase. Navigate eFolio transforms how students learn and instructors teach by bringing together authoritative and interactive content aligned to course objectives, with student practice activities and assessments, an ebook, and reporting tools. For more information visit go.jblearning.com/nursingef

  • Sales Rank: #15807 in Books
  • Brand: Brown, Sarah Jo, Ph.D., RN
  • Published on: 2013-02-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 6.00" w x 1.25" l, 1.40 pounds
  • Binding: Paperback
  • 480 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
Hated the Book
By Brandi Hopkins
Thank you I needed the book for class. Am now trying to sell the book back but it was just what was promised.

0 of 0 people found the following review helpful.
Don't like this book at all
By chrabi417
Don't like this book at all!!
This was required for my RN-BSN program. This class is heavy in Statistics which I last took 6 years ago. The explanations, particularly having to do with Statistics are vague and unhelpful.
I am now looking for a Statistics book to supplement. I've had to spend a great deal of time trying to look up terms that this book is vague and unclear about.
Yuck! One of the worst nursing textbooks I've ever had to use.

0 of 0 people found the following review helpful.
Hard to follow
By Sally E.
This book was required for my Nursing Stats class. So far I have gotten A(s) in my other classes for my BSN. I realize that stats is like a foreign language (I speak French and Spanish) but this book is hard to follow and hold any interest. I really think there has to be a better book out there to use.

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Senin, 09 Februari 2015

[Y502.Ebook] Download Ebook 1001 DRUM GROOVESFrom Cherry Lane

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1001 DRUM GROOVESFrom Cherry Lane

(Percussion). This book presents 1,001 drumset beats played in a variety of musical styles, past and present. It's ideal for beginners seeking a well-organized, easy-to-follow encyclopedia of drum grooves, as well as consummate professionals who want to bring their knowledge of various drum styles to new heights. Author Steve Mansfield presents: rock and funk grooves, blues and jazz grooves, ethnic grooves, Afro-Cuban and Caribbean grooves, and much more.

  • Sales Rank: #90427 in Books
  • Brand: Cherry Lane
  • Model: 2500337
  • Published on: 2001-06-01
  • Released on: 2001-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x .32" w x 9.00" l, .84 pounds
  • Binding: Paperback
  • 112 pages
Features
  • ISBN: 1575604191Size: 9"W x 12"L112 pages

Most helpful customer reviews

5 of 5 people found the following review helpful.
Excellent training book
By Willie V. Hughes
This book was recommended to me by my drum teacher. There are excellent drills or patterns in this book which are great for beginners and expert players as well. My only complaint (as with nearly all music books) is that it should be spiral bound. Bound books (which are hard to keep open on music stands) should have no place in music libraries.

0 of 0 people found the following review helpful.
Stupendous purchase!
By MBH
A must have for every working drummer! Some unusual drum styles presented. All drum grooves presented in clear, concise large print. Very useful for the versatile drummer working a variety of gigs-Neat Book! Very similar to "Drumset Grooves" written by Patrick Riley. I like Riley's book just a little bit better because of the format.

0 of 0 people found the following review helpful.
good for drumming 101
By LaToya
brought this book for my 7 year old while he was taking drumming lessons. He loves the variety of songs in the book as he uses it to learn how to read notes and to play them

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Sabtu, 07 Februari 2015

[B274.Ebook] Ebook Free How to Stop Acting, by Harold Guskin

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How to Stop Acting, by Harold Guskin

"The Great Guskin" (John Lahr, The New Yorker) shares the approach he uses to help actors land roles, develop them, and keep them alive

Harold Guskin is an "acting doctor" whose clients include Kevin Kline, Glenn Close, James Gandolfini, Bridget Fonda, and dozens more. In How to Stop Acting, Guskin reveals the insights and techniques that have worked wonders for beginners as well as stars. Instead of yet another "method," Guskin offers a strategy based on a radically simple and refreshing idea: that the actor's work is not to "create a character" but rather to be continually, personally responsive to the text, wherever his impulse takes him, from first read-through to final performance. From this credo derives an entirely new perspective on auditioning and the challenge of developing a role and keeping it fresh, even over hundreds of performances. Drawing on examples from his clients' work and his own, Guskin presents acting as a constantly evolving exploration rather than as a progression toward a fixed goal. He also offers sound and original advice on adapting to the particular demands of television and film, playing difficult emotional scenes, tackling the Shakespearean and other great roles, and more. His book will find an eager and appreciative audience among novices and established actors alike.

  • Sales Rank: #57892 in Books
  • Brand: Guskin, Harold
  • Published on: 2003-06-25
  • Released on: 2003-06-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.14" h x .62" w x 6.14" l, .43 pounds
  • Binding: Paperback
  • 208 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
No, this isn't a guide to helping introverts learn how to loosen up and be themselves. Rather, it's a new perspective on auditioning for theater. "Acting doctor" Guskin, who's worked with Kline, Glenn Close, James Gandolfini, Steve Martin and others, explains his strategy, which, at its core, states that actors do not have a responsibility to create characters, but to be continually responsive to their lines, wherever their inclinations take them. It's an honest, non-gimmicky take on a perennial problem. With specific anecdotes (e.g., "Peter Fonda came to me in 1993, he wanted to rethink his acting") and concrete advice (e.g. "take it slow" and "let the script guide the research"), Guskin covers various acting scenarios, from the stage (including Shakespeare) to film and television. He imparts much wisdom, yet counsels, "discover what makes you tick as an actor. Use what works and discard whatever gets in the way, no matter how sound the concept."
Copyright 2003 Reed Business Information, Inc.

Review

“Ask an actor who the coach of the moment is and no matter whose name comes up as well, Guskin's is mentioned three times out of four.” ―The Village Voice

“Reading through these pages, I realize not only how much I learned from Harold, but also how safe he made me feel. The courage to take the risks that pushes us into new discoveries-new emotional territory-does not come without trust. Harold created a place filled with a trust that ultimately freed me to find my wings . . . one role at a time. This book will be invaluable for anyone passionate about learning the craft of acting and for those of us who need to be reminded of the basics of the craft we have dedicated our lives to.” ―Glenn Close

“Many actors, newcomers and veterans alike, often wonder why it's so difficult to be as real, natural, and emotionally charged on stage or in front of the camera as we are in our daily lives. Harold Guskin explains how, by habit and misconception, we tend to undermine our potential. How to Stop Acting is a clear and concise actor's guide to living the truth in our work.” ―Christopher Reeve

“Harold gives a very sane point of view to a very insane business and a very insane craft. Sometimes, when I read a script, I'm tempted to put on seven different wigs and change everything and do all this stuff-like knock my head against the wall twenty times before I know what I'm doing. Then I'll come to Harold, and I'll realize it's a lot simpler than that.” ―James Gandolfini

About the Author

Harold Guskin has worked with dozens of stage and screen actors and is himself an actor and director. He lives in New York City with his wife, the playwright and screenwriter Sandra Jennings.

Most helpful customer reviews

33 of 34 people found the following review helpful.
Best book on acting I've ever read!
By squidpool
I've read Strasberg, Adler, Meisner, Suzuki, Morris, Mamet, Chekov and several other acting books by lesser-known authors. Without question, Guskin's book is the best, most immediately usable method I have ever encountered. Guskin gives so many useful exercises to undertake his innovative approach along with a great deal of advice for solving a myriad of problems and issues actors face.

When I began reading Guskin's book I was intrigued but skeptical. The approach seemed like it just might be extraordinary, but I had questions as to whether it would work within certain contexts I faced as an actor. For example, what do I do when I'm in the middle of an audition and I freeze and nothing is coming to me? What good is Guskin's approach then? Much to my delight, Guskin addresses this question in a thorough and satisfying way. In fact, Guskin answered all of my practical acting questions and gives simple, usable solutions which all fall within the context of his unique acting approach.

Just like any acting approach, ultimate success comes with undertaking his advice and practicing, practicing, practicing his approach. Do this and you will reap great rewards.

My one slight reservation, which doesn't diminish the power of the book, is that casting directors for film and television often want you to come into an auditon situation with a 'final performance' for the audition. They do not want you to 'play' or 'discover' various versions of your performance during your audition. Casting directors for film and TV want you to give them the character as it is stated in the written character breakdown that they give you. Yes, this 'final performance' too, can be accomplished using Guskin's technique, but one needs to go into such audition situations very well-rehearsed beforehand.

Indeed, Guskin is correct in asserting that this very preconceived notion of character required by film and TV casting directors is far less prevalent in the theater and in theater auditions. This is not a caveat, just some additional info.

Truly the finest, most simple, practical and usable acting book I've ever read.

13 of 14 people found the following review helpful.
Just Get Real!
By Beth B
Harold Guskin's approach is brilliant in its simplicity. He takes you away from "techniques" and back to the reality of being in the moment. When I practice his approach I'm able to truly listen and dialogue with the other actors on a deeper level, and to respond to their words and mine from an internally, gut-motivated, truly living and experiencing in the moment place. From the stage or the audience the result is more exciting, more alive, and much more meaningful. I never have to try to memorize lines when I work from this angle either. The words take on a life of their own and take up residence, flowing freely when the time comes. The result is a fresher and more alive characterization too -- not "overstudied". Mr. Guskin's approach is refreshing. I urge every actor to buy this book, get real, and stop acting.

17 of 19 people found the following review helpful.
Even a beginner can benefit from this book.
By Andrew B. Hurvitz
After taking an acting class for the past two months, I have had various highs and lows both on stage and off. This book prepares you to accept those accidents of creativity and freedom that make good acting. The author is not exponent of any particular school of thought or ideology. Rather he uses his real world experience as an acting coach to such players as Kevin Kline, Matt Dillon, Bridget Fonda, Glenn Close and many others to show how vulnerability and "taking words off the page" rather than memorizing them will contribute to unexpected and startling performances.
His advice for conquering fear, relaxing and "going with the flow" is unconventional, but delightfully intelligent. The author speaks out on auditions, being on stage, and his biggest push is for actors to "be themselves" and let the words in the script speak for themselves. To stop acting, is to start being real, to finding the truth--and if I sound like I'm spouting gibberish, I assure that his writing is clear, concise, logical and well reasoned--and will lead to a deeper and more thoughtful understanding of acting.

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